说明:
Christoph Willibald Gluck - Orphee et Eurydice (2003) [DVD9 NTSC]
Laber: Farao Classic
Format : 16:9 NTSC Color
Menu: German, English
Subtitles: German, English, French, Japanese
Aodio: DTS 5.0 Surround, PCM Stereo
Author: christoph willibald gluck
Direction: david alagna, direttore giampaolo bisanti
Compagnia/Produzione: fondazione teatro comunale di bologna
Cast: roberto alagna, laura giordano, marc barrard
Christoph Willibald Ritter von Gluck (2 July 1714 ñ 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century.
The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, IphigÈnie en Tauride, was a great success and is generally acknowledged to be his finest work. Though he was extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse, he left Paris in disgust and returned to Vienna to live out the remainder of his life.
Orfeo ed Euridice (French version: OrphÈe et Eurydice; English translation: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at Vienna on 5 October 1762. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama.
The opera is the most popular of Gluck's works[2], and one of the most influential on subsequent German opera. Variations on its plotóthe underground rescue-mission in which the hero must control, or conceal, his emotionsóinclude Mozart's The Magic Flute, Beethoven's Fidelio and Wagner's Das Rheingold.
Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the AcadÈmie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title OrphÈe et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.
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