说明:
  
 
        Vines – I’ll be here (2025)     
 
 
Review: 
The Vines, a band consisting of outsized Australian rockers, are releasing an album this summer. So is Vines, sans ‘the,’ a project by Cassie Wieland, a Brooklyn-based composer, multi-instrumentalist and electronic musician. 
I’ll Be Here is by the latter artist, who writes songs interwoven with new classical sensibilities and chops. One can’t help but wonder what the algorithms will make of it. There are a lot of doleful song titles on I’ll Be Here, such as “I’m getting sick,” “Evicted,” “Happy is hard,” and “Tired.” The music is less overt, consisting of atmospheric instrumentals and songs, with the vocals are shrouded in vocoder. This technique was  used last year, to good effect, by Alan Sparhawk on White Roses, My God, his first solo LP without Mimi Sparhawk, his deceased wife, creative partner, and bandmate. Similarly, the absence of unfiltered vocals in music by Vines would appear to employ the vocoder as symbolic of one’s agency being threatened or removed. Direct confrontation isn’t the way taken to resolve the states described in the aforementioned titles. Instead, there is a sense of poignancy, at times even grief. “We’ve made it this far” is less than two minutes long, feeling more like a cinematic cut than a true minimalist piece, which would develop over a longer duration. But Vines uses ostinato in a powerful fashion, almost akin to the distortion of her voice, to provide a sense of unease. The track segues into “Undercurrent,” where repeated music still holds sway, with a tension between vibrating chords and sustained voices and bass notes never fully resolving. “King of Swords” is a favorite, its minor key ostinato looping over and over again, suggesting a lament. Rather than serving as accompaniment, the arpeggiated guitars and thick chordal keyboard textures seem embellished by the vocals, with their repetition foregrounded and the singing a distressing, rather than central, element. The texture connotes an inversion of what one expects in a song, revealing a harrowing emotional landscape. You have to wait until the last cut for the title track, but it is well worth it.  Recessed vocals are buoyed, indeed empowered, by orchestral-sounding synths, completing the album with a sense of determined resiliency. Vicissitudes abound in the musical world-building that Vines undertakes. There is no way they will stop her. Nothing is outsized about I’ll Be Here. It instead is a winning example of how music made with passionate intimacy can draw you in. — dusted 
 
 
     
 
 
Track List: 
01 - I'm getting sick 
02 - Evicted 
03 - We've made it this far 
04 - Undercurrent 
05 - King of swords 
06 - Omw 
07 - Happy is hard 
08 - Tired 
09 - Keep driving 
10 - I'll be here 
 
 
Media Report: 
Genre: ambient, dream-pop 
Origin: Brooklyn, New York, USA    
Format: FLAC 
Format/Info: Free Lossless Audio Codec 
Bit rate mode: Variable 
Channel(s): 2 channels 
Sampling rate: 44.1 KHz 
Bit depth: 16 bits 
Compression mode: Lossless 
Writing library: libFLAC 1.3.0 (UTC 2013-05-26) 
 
 
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